‘Haemorrhaging of our history’
History under the hammer
This weekend an original copy of the 1916 proclamation will go under the hammer at a dublin auction house, its guide price up to £140,000. Last month a surrender letter signed by Padraig Pearse fetched almost £500,000. Why are Irish historical documents and memorabilia attracting such dizzyingly high bids and who is buying? Mary Fitzgerald reports.
08 June 2005
At first glance it appears rather unremarkable. A small rectangle of yellowing card, stained, lined and faded. On one side, the fancy typeface tells us it is a press ticket, printed for the visit of one Michael Collins to Armagh on September 4.
The spaces for the name of the reporter, newspaper and signature are unfilled. So far, so unremarkable. But turn the card over and you see why this blank Press ticket is expected to attract so much attention at an auction house in Dublin this weekend.
On the back of the card is the faint signature, in Irish, of the Big Fellow himself - Miceal O Coileann (Michael Collins) - along with the date 4/9/1921, less than a year before the Irish revolutionary was shot dead in a civil war ambush.
The asking price? A fairly reasonable £300-£500. But, as Ian Whyte, director of Whyte’s auction rooms, acknowledges, that guide price could go anywhere on the day of the sale.
Irish historical memorabilia - particularly that connected to the 1916 Rising, the War of Independence and the Civil War - has become increasingly popular at auction in recent years. Anything to do with 1916 has seen its value rocket, a trend auctioneers reckon will only accelerate as the centenary of the Rising approaches.
Perhaps the best example is the 1916 Proclamation of the Irish Republic, an original copy of which is also set to go under the hammer this weekend at Whyte’s.
Billed in the auction catalogue as “the document that launched an uprising that changed Ireland forever”, a copy was famously placed at the foot of Nelson’s Pillar that Easter Monday morning as Padraig Pearse read the proclamation aloud from the steps of the GPO. The fate of the known remaining copies, many of which have been rooted out from attics, drawers and long-forgotten cupboards, has sometimes proved as peculiar as the document itself.
Original copies can be identified by a number of unique features. The printer, Christopher Brady, produced the poster on poor quality paper using an old press in Dublin’s Liberty Hall. Operating in secret and with meagre resources, the printers ran out of the letter ‘e’ in its original typeface and were forced to use a gothic ‘e’ instead. They later ran out of type and had to print the document in two halves. Because of paper shortages, plans to print 2,000 copies had to be shelved in favour of a more modest run of 1,000. Many of these were destroyed when Liberty Hall was raided by British soldiers and it is estimated that as few as 500 were actually distributed around the city. Most were destroyed during the rebellion and only between 20 and 30 are believed to still exist.
“Of the 30 or so in existence, 20 are in institutions already so there are really only 10 or 12 knocking around in private hands,” explains Ian Whyte. Hence the steep auction bids.
In 1997, Sotheby’s sold a copy for £30,000. A new record was set in December 2003 when another copy fetched £55,000, surpassed just six months later when a buyer paid £110,000 for their own piece of Irish history.
Last December auction-goers watched, mouths agape, as an anonymous buyer, bidding by telephone, nudged the final price for yet another copy to a cool new record - €390,000 (£270,000).
“That exceptional result could prove to be just a blip,” says Whyte. “We won’t know until Sunday. As we get closer to the centenary of 1916, I think these things are going to get more and more expensive. Look at what happened with first editions of James Joyce’s Ulysses last year with the Bloomsday centenary - prices multiplied by five or seven times.
“It looks like the same thing will happen with the 1916 documents. Centenaries tend to focus people’s minds and attention and they decide they want a part of it.”
It’s not just copies of the proclamation that have blown anticipated sale prices out of the water. Last month a letter of surrender signed by Padraig Pearse at the end of the 1916 Rising sold for almost £500,000 at a Dublin auction after it exceeded its guide price of £55,000 within the first minute of bidding.
It’s enough to make anyone wonder what could be hidden in that dusty old attic. So, apart from the approaching 1916 centenary, why the sudden interest in one of the most turbulent periods of Irish history and why are so many items connected to that time coming to auction?
A glance at the catalogue for this weekend’s auction at the RDS reveals a fascinating collection of memorabilia, from a United Irishmen certificate of membership, dated May 1798 (guide price: £560-£700); a handwritten letter in Irish by Padraig Pearse regarding a pupil at his school, St Enda’s (£2,800-£4,100); an IRA proclamation issued from the Four Courts in 1922, signalling the start of the Civil War (£1,400-£2,100); a cheque handwritten and signed by Padraig Pearse (£210-£350) and assorted War of Independence medals.
“This auction is certainly one of the most interesting we’ve had for quite a while,” says Ian Whyte. “The fact that similar items have attracted so much attention and such high prices recently is one of the main reasons why we are seeing so many documents like this coming to auction.
“Another aspect is the fact that these things were handed down from generation to generation and we’re now three or four generations away from that period.
“People may no longer feel such a strong emotional connection to that time. Twenty years ago these items may have been valued as family heirlooms because granddad was involved but now there is a distance from those events.
“We have also found that some people don’t want the responsibility of keeping such valuable items in a normal house because of the fear that someone could come in to damage or steal them.”
Whyte is expecting most of the interest at Sunday’s auction to focus on the 1916 proclamation, the Collins autograph, the Pearse letter and cheque, and a portrait of Collins by Sir John Lavery, signed by Collins and the artist.
As for the buyers, they range from wealthy private collectors to academic institutions and tend, for the most part, to be from outside Ireland.
The person who bought Pearse’s letter of surrender is understood to be European, though many believe the buyer was acting on behalf of an Irish-American with a strong interest in republican history.
“If something like this is bought by someone overseas, it’s usually a person with a really strong Irish connection,” Whyte says. “You’re not really going to come across someone who’s just buying it for an investment and has no interest in it. There’s usually some kind of historical or emotional link.
“The last time I sold a 1916 proclamation was four years ago to an Irish American in New York. His grandfather came from Cork with a shovel on his back and now this man owns his own bank. It just shows you the success stories out there.”
Not everyone is happy that so many significant historical documents are being sold to overseas buyers. Representatives from the National Heritage Conservation Group attempted to buy the Pearse surrender letter last month but were forced to drop out of the bidding within the first minute. They had previously lobbied the Irish government to purchase the letter on behalf of the National Museum but government officials argued that a number of similar documents were already held by the State.
In the face of criticism following the sale, Irish Finance Minister Brian Cowen made a rather lame appeal to the new owner to make it available to the national archives. Too little, too late, heritage activists say.
“The government is simply not taking care of our history,” says Damien Cassidy, from the National Heritage Conservation Group. “We have come into a new era in which all that happened in 1916 doesn’t seem to hold much relevance to people who are three or four generations removed from it. Unfortunately, our government doesn’t seem to care either.
“We don’t have an equivalent of the National Trust here and that is a major part of the problem. These items should not be allowed out of the country. This is a haemorrhaging of our history and no one seems to mind.”















